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La pieza explora el sonido del metal de forma alegórica, utilizando samples digitales desplegados en el espacio como representación de lo "metálico" sin masa, como la esencia sonora del metal. La distancia entre lo representado y su representación, algo similar a la que existe entre los metalúrgicos y su sindicato, constituye el núcleo dialéctico de la obra.

Las máquinas metalúrgicas evolucionan sonoramente hasta convertirse hacia el final de la pieza en la máquina que escribe "¿Quién Mató a Rosendo?", de Rodolfo Walsh, escuchándose literal e íntegro el capítulo X.

The piece explores the sound of metal in an allegorical way, using digital samples deployed in space as a representation of the "metallic" without mass, as the sonic essence of metal. The distance between what is represented and its representation, somewhat similar to the one between the metal workers and their union, constitutes the dialectic core of the work.

The metal machines evolve sonically until they become, towards the end of the piece, the machine that writes "Who Killed Rosendo?", by Rodolfo Walsh, while we listen to chapter X being read in its entirety.

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from La estrella federal, released December 16, 2021

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Inkilino Records

Inkilino Records offers bits for free and atoms for sale of experimental electronic music hand made by artists working at the intersection of music composition, performance and sound art, combining the development of their own instruments (virtual and physical) with artistic research.

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Inkilino Records regala bits y vende átomos de música electrónica experimental.
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